![]() ![]() If you compare it to the top image, you can see just how far you can go. The original image is on the layer below it. WOW! Using the image manipulated in Topaz Simplify 2 as a separate layer, I changed the layer’s blending mode to Overlay at 90%. However, it can make a great layer to blend into the original. Such intense super-saturation does loose the essence of the original flower photo. At that point, you can boost the colors even further. It can reduce an image to just pure color. On the black gradient background, it does pop. But how can you create it and still have it look real?Įven Photoshop’s Hue/Saturation Tool has its limits! Take a look below: A super-saturated object in an otherwise bland image commands attention. Or, maybe you are planning to animating an object as a focal point to guide the user around. Click on the image for a larger view.Have you ever had to saturate an image beyond its normal limits, but still retain image detail and fidelity? Maybe you are working on an ad or a banner and need something really eye-popping. That’s my one of goals with this technique. You’ll find a high level of detail in the wood and paint of the boat itself – while the rest of the surroundings have been simplified – and their details don’t tend to pull your eyes away. I’ve started a new set called Simplify on Flickr with the images I’ve played with so far.īelow is perhaps my favorite – another treatment of the F/V Point Reyes – aground at Inverness. ![]() This is still very much a learning exercise for me – but I’m having fun experimenting with it. I’ll leave the rest as simplified details.įinally, I typically add a sharpening layer using a high pass filter with the blend mode set to vivid light and a mask where I paint with white just where I want the most intense details to be visible. I will then paint with white at varying levels of opacity to reveal just those areas of the image where I want the original details to come through. I’ll leave the blend mode on this layer as normal – but will immediately add a layer mask and invert it so that it’s solid black. Then I’ll make a final duplicate of the background layer and move it to the top, the same process as before. I’ll change the blend mode on this layer to color – and typically leave the opacity at 100%. Next, I’ll make another duplicate of the background layer and move the new layer again to the top. Once in a while, I may also add a layer mask to tweak the overlay blend just a bit. I’ll change the blend mode to overlay and adjust the opacity until I like it. Next, I’ll duplicate the background layer and move the new layer to the top. Simplify 4 includes two black and white presets – one of them usually does the trick for me. My current technique starts out in Photoshop by creating a new layer from the original background layer – and then using Topaz Simplify 4 to create a black and white simplified version of the image. I’ve been using a technique loosely based upon what I’ve observed from Chris Hilgert’s great images on Google+. I’ve recently been experimenting more with techniques that use simplification of some details in an image to better focus the viewer’s eye on the most important and interesting elements of the image. I enjoy the beautiful light and color in this image – along with the beautiful relaxation he’s enjoying in the morning light! I processed this image in Photoshop using a modified technique I’ve been learning from Chris Hilgert – using a low contrast black and white layer onto which we add an overlay layer, a color layer, and refine them together. I’ve also got an iPhone in my pocket – so, actually, I’m walking around with three cameras!Īs we headed into Yerba Buena Center, I noticed this fellow enjoying the morning sun on this concrete bench and captured the moment with the Canon PowerShot S100. On most of our photo walks, I carry a big DSLR ( Canon 5D Mark II or, more recently, Nikon D600) and a Canon PowerShot S100 point and shoot in a case on my belt. Free Download and information on Topaz Simplify - Topaz Simplify is a Photoshop plug-in, which means it wont run by itself and requires a compatible host. ![]() So, we went up rather than down – and headed from Powell Street Station toward Yerba Buena Center.Īlong the way, we had some beautiful light and I was opportunistic. As it turned out, there was a patch of blue outside the station and some sunlight was streaming in. Tonight I was looking back at some of my images from last year – and I came across this one from March 2012.ĭoug Kaye and I had agreed to meet up at the Powell Street BART station – thinking that, because of the weather, we’d spend most of our time underground in the BART system. ![]()
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